When you listen to violins or violas being played live, there are very many nuances going on in the high frequencies. These subtle noises are a result of the bow touching the strings. In most recordings these noises are lacking, which results in a muffled sound that is not very enjoyable to listen to. Therefore, there are many different ways to improve your sound.

The principles of orchestration have been presented in several classic texts by Kennan, Adler, Piston and others. In what ways do these principles apply when considering the virtual orchestra?

A lot of careful work goes into creating a successful digital mock-up: you have to work with good samples, use them effectively, and make sure that the final mix mimics the sound of a real recording — but how?

Working in today’s film and game audio environment nearly guarantees you many opportunities to produce interesting and evocative soundscapes, but while working from pre-made synth patches is great for folks in a hurry, it pays to sit down and craft something by hand whenever possible.