The principles of orchestration have been presented in several classic texts by Kennan, Adler, Piston and others. In what ways do these principles apply when considering the virtual orchestra?

A lot of careful work goes into creating a successful digital mock-up: you have to work with good samples, use them effectively, and make sure that the final mix mimics the sound of a real recording — but how?

Working in today’s film and game audio environment nearly guarantees you many opportunities to produce interesting and evocative soundscapes, but while working from pre-made synth patches is great for folks in a hurry, it pays to sit down and craft something by hand whenever possible.