Frederic Chopin
Posted 16 February 2007
I enjoy Chopin, not to mention he was challenging his contemporaries by some "atonal" approach in his latter works.
How far do you think he "pushed" the boundaries?
Posted 16 February 2007
His ability to incorporate folk musical idea types as a natural part of his personal style, is rather rare in classical music, and not many but Grieg has done the same on a grand scale.
How far he pushed the boundaries? Very far in my opinion. As I said elsewhere on the board:
Thorolf said:
Could easily have been written by the contemporary jazz composer Chick Corea.
Regards
Posted 15 May 2007
"I cannot deny that I find him too lacking in an important component - namely, power - to pass as a complete artist. His playing does not exhibit shades of grey, but shades of rose - if only it could bite a little! but he's a delightful man, and if you think his 'idylls' have given me no enjoyment, then either you're mistaken, or else I haven't expressed myself properly."
As Fanny knew and played Chopin's 'Etudes' her reference to 'idylls' seems a little strange!
Posted 17 May 2007
I really enjoyed the challenges he baked into his pieces - complex and dense rhythmic accompaniments to flowing and delicate melodies. And then, he could exhibit some real power on the instrument - I was blown away when playing his second Ballade (F Major) - combination of delicate melody accompanied by block chordal harmony and then ... all hell breaks loose! [ame="http://www.youtube.com/watch?v=MsoUIBcl7iw"]YouTube - Zimerman plays Chopin Ballade No. 2[/ame]
Posted 17 May 2007
Posted 22 May 2007
Fanny Mendelssohn was of course a hard taskmaster whose music is grounded on the rock of Johann Sebastian. Potentially, she was the Bach of the Romantic age and her uncompromising aim was perfection of melodic line. Rosen ought to have discussed her contribution too but prejudice was still overwhelming musicianship in those days.
Posted 15 September 2007
Posted 08 January 2010
but also the way he rolls the dynamics up and down is really effective-like waves crashing on the shore
Posted 08 January 2010
although i have to agree with the old timers sometimes i get tired of his pure sweetness of melody.
I think he is a great pioneer in the way he used melody and form in such abstract ways. His ability to make something that would seem totally unmusical on paper sound totally naturalistic is a credit to his genius.
Posted 23 June 2010
Page 1 of 1





